The artist (shown left), Reynold Weidenaar was born in Grand Rapids, Michigan in 1915. He studied at the Kendall School of Design and at the Kansas City Art Institute from 1938 to 1940. In 1944, Weidenaar received a Guggenheim Fellowship and in         1940, the Louis Comfort Tiffany Scholarship. In receiving these grants, Weidenaar was able to travel and record his impressions of other countries, particularly Mexico. In 1949 he was elected to the National Academy and he was later raised to full academician status.
Working mostly on copper with all the intaglio processes, Weidenaar produced 212 prints. Weidenaar was one of the first artists in the United States to revive the technique of mezzotint printmaking. He also designed and hand-made the tools he used to create his prints. In 1981 in a New York show reviewed by Theodore Wolff of the Christian Science Monitor, compared his work to John Taylor Arms, Martin Lewis and Grant Wood. He called Weidenaar, .a virtuoso with the etching needle; a master craftsman with extraordinary skills." He also notedt;...a rare ability to reach deep into the unique identity of an object or an individual and to bring it forcefully to the surface in a few lines.
            
                
                
                    
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                The Road Is Rough
                
                
                
                 Commissioned for a presentation print by the Connecticut Academy of Fine Arts. Some of the tiny signs in the background and the foreground are only visible under a magnifying glass (as seen in many of his works), This print is the first in my collection, I acquired this print from my brother James Straub,  *In 1943 Weidenaar became engaged to Ilse Eardmans. The etching he     was working on at the time features one of the most endearing personal inscriptions. The Road is Rough features a sign which reads ; NOTICE / THIS ETCHER HAS MET HIS / DREAM GIRL AT AGE 28, AND IS / GETTING MARRIED / GET HIS           STUFF  NOW - / WHILE HE IS ETCHING FOR / A REPUTATION - INSTEAD OF A FAMILY                                                     * Reynold Weidenaar A Retrospective. The Grand Rapids Art Museum October 2015-January 2017. 
                    View ImagesLocation: Permanent Collections Connecticut Academy of Fine Arts.
 Dimensions: 6-15/16 X 8-15/16
 Medium: Etching
 Date Produced: 1944
 Exhibitions: U.S. Library of Congress
 Disposition: A Private Collection  / Awards - Third Place at the J.and E.R Pennell National Exhibition of Prints, Library of Congress, Washington D.C. May 1944
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                Locomotive Shops
                
                
                
                 Very Rare and extremely sought after. Considered one of his masterpieces. Locomotive Shops was the winner of the coveted Louis Comfort Tiffany Fellowship in 1948. 
                    View ImagesLocation: Grand Rapids, Michigan
 Dimensions: 12-15/16 X 16-7/8
 Medium: Etching/Aquatint
 Date Produced: 1947
 Exhibitions: U.S. Library of Congress
 Disposition: Many Prizes
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                Grain Threshers, Mexico
                
                
                
                 Dramatic outdoor scene. The horses appear to be large, strong and spirited animals. They are roped together and are depicted in various stages of movement. Two figures stand on each end of the row of horses with whips in their hands. In the background, three figures appear to be lifting hay. The clouds in the sky are dark and threatening and add to the tension filled atmosphere of the image. Grain Threshers, Old Mexico. Commissioned by the Print Club of Albany, New York. 
                    View ImagesLocation: Grand Rapids, Michigan
 Dimensions: 10 X 15
 Medium: Mezzotint
 Date Produced: 1949
 Exhibitions: Permanent Collections: New York Public Library. The Library of Congress.
 Disposition: A Private Collection
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                Leviathan of the Lake, Ludington
                
                
                
                 Image of a large ferry. A train car (?) appears to be inside it. Groups of people are gathered near the ferry entrance, the shoreline, and in a small rowboat, 'Print List' (1993) indicates that the small group of figures on the left are the artist's children. They carry a sign that reads, 'Goodbye Forever, Mom and Dad', Leviathan of the Lakes. 
                    View ImagesLocation: Ludington, Michigan
 Dimensions: 12-3/4 X 16-5/8
 Medium: Etching
 Date Produced: 1964
 Exhibitions: Library of Congress
 Disposition: A Private Collection
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                Alabama
                
                
                
                 Harbor Scene, possibly Ludington, Michigan. A large vessel named "Alabama" is at dock with a small sailboat to the port side (left); A figure is shown on the sailboat falling into the water. A shoreline with houses is also visible. This print is sometimes called "The Death of the Alabama". 
                    View ImagesLocation: Ludington, Michigan
 Dimensions: 10-3/4 X 13
 Medium: Etching
 Date Produced: 1948
 Exhibitions: Holland Area Arts Council
 Disposition: From A Private Collection
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                Ten O'Clock at Taxco
                
                
                
                 Vertical. Image of a city. A large cathedral stands at the top of a hill, towering over the buildings near it, several figures and signs are placed throughout the composition. A road runs through the bottom right hand corner, defined by stone walls. Two female figures interact near the wall. Clouds float through the sky behind the cathedral. 
                    View ImagesLocation: Taxco, Mexico
 Dimensions: 16-3/4 X 12-3/4
 Medium: Etching
 Date Produced: 1946
 Exhibitions: Illustrated: Whistler to Weideaar; American Prints 1870 to 1950 - Museum of Arts - 1987
 Disposition: A Private Collection
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                Burro Station
                
                
                
                 Old Mexico Vertical.  Image of a hillside with several figures  and burros.  A  cathedral is represented at the top.  Additional buildings  are present below the cathedral.  A mountainous landscape is depicted in the  background. 
                    View ImagesLocation: Mexico
 Dimensions: 16-3/4 X 12-3/4
 Medium: Etching
 Date Produced: 1940
 Exhibitions: Holland Area Arts Council
 Disposition: A Private Collection
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                Vioduct Builders
                
                
                
                 Horizontal. Image of construction zone. Large supports are  being built to support viaducts (highways?). Several figures and a dump truck  are depicted on the ground., Viaduct Builders Location somewhere near Benton Harbor, Michigan.. 
                    View ImagesLocation: Benton Harbor, Michigan
 Dimensions: 3-3/4 X 5-1/4
 Medium: Etching
 Date Produced: 1950
 Exhibitions: Grand Rapids Art Museum "Reynold Weidenaar A Retrospective"   Holland Arts Council.
 Disposition: A Private Collection
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                Bridge Builders Mackinac Straits
                
                
                
                 Vertical. Construction image of the Mackinac Bridge. The bridge towers dominate the composition. A large tower rises to the right of center; a smaller tower is portrayed behind it. Two small boats float in the water depicted at the bottom of the print. A ship enters from the back. The sky has a foggy atmosphere. This is a rather dark print. On the far right, another tower is under construction. 
                    View ImagesLocation: Mackinaw City, Michigan
 Dimensions: 12-7/8 X 6-7/8
 Medium: Mezzotint
 Date Produced: 1956
 Exhibitions: Holland Area Arts Council
 Disposition: Private Collection
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